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Cameroon literature at a glance
Female authors
 Reference books
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Cameroon Literature at a glance
According to David Ndachi Tagne, the "mild controversy" surrounding  the origins of Cameroonian literature is due to a complex colonial history during which the French and English took over from the Germans after World War I.  Overall, the French dominated literary output during the 20th Century, although it is to the German and  English missionaries, and especially the local intelligentsia that one must look for the introduction of writing in the area, i.e., the production of texts in Douala, in English and later in German.  For example, Sultan Ibrahim Njoya who dominated intellectual life in the Bamum region at the end of the nineteenth century,  invented his own alphabet and wrote several volumes devoted to Bamum law, knowledge and customs.  It was only in the 1920s that this writing was abandoned when the French destroyed his press machines, closed all his schools and imposed their own language and educational material.  Rudolph Douala Manga Bell was another intellectual who was to become a prominent figure in his country.  After studying law in Europe, he returned to Cameroon where he became chief of the Doualas, but like so many others, he ended up being summarily executed by a colonial administration unwilling to undertake juridicial negotiations with an African lawyer.  It was at this time that Joseph Ekolo published his impressions of Europe under the title Wie ein Schwarzer das Land der Weiszen ansieht (Vision of the White World from a Black Perspective).
In 1932,  Jean-Louis Njemba Medou  published Nnanga Kon in Boulou, a book that is sometimes considered the first novel written by a Cameroonian author.
Among the first Cameroonian authors to write in French were Isaac Moumé Etia who wrote a few short stories in the 1920s and 30s and Louis Pouka Mbague who was highly praised in Paris in the 1940s and 50s.  His line "Oh France, you are our only hope [...] you are the black person's salvation", encapsulates the essence of his work.
What has generally become known as the first generation of Cameroonian novelists, refers to  a group of authors whose mission is a critical and close analysis of colonisation.  Mongo Beti (alias Eza Boto),  René Philombe, Francis Bebey and Ferdinand Oyono (in his youth), are perhaps the best known representatives of this period.  The second generation of writers is grouped around writers expressing their confusion and who, in spite of their pessimism,  desire to see their country come out of the socio-economic stagnation which followed the euphoria of the first years of Independence.  Mongo Beti started writing again after a silence of fifteen years with his Autopsie d'une décolonisation [A Decolonisation Dissected] while other writers such as René Philombe, Pabé Mongo, Yodi Karone, Paul Dakeyo, David Ndachi Tagne, Joseph-Jules Mokto, Paul Tchakoute and many others expressed the horror of those bloody régimes whose ruthless pursuit of power became a feature of African politics.
If Marie Pauline Thorbecke's memoirs Auf der Savane : tagebuch einer Kamerun-reise, published in 1914, Marie-Claire Matip's very short autobiography  and Thérèse Kuoh Moukouri's excellent novel written in 1956 (and published in 1968) are not considered, one must wait for the years of Independence to see women novelists make their appearance.  Among the first are Marie-Thérèse Assiga Ahanda and Lydie Dooh Bunya as well as  women playwrights, Rabiatou Njoya and Werewere Liking (who moved to the Ivory Coast).  In recent years, several Cameroonian women have added their contribution to the corpus of Cameroonian writing, and Calixthe Beyala has established herself as a very successful author on the international scene.  Over the past few years, a fair number of new cameroonian authors have attracted considerable attention from the critics. Among them  Brigitte Tsobgny Amours tyranniques (2006), Léonora Miano Contours du jour qui vient (2006) and Elizabeth Tchoungui Je vous souhaite la pluie (2006), etc.
 
Female authors from Cameroon
 
 
 
 
 
 
 
 
 
 
 
 
  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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Marie-Thérèse ASSIGA AHANDA   
  
Philomène BASSEK   
  
Virginie BELIBI   
  
Monique BESSOMO   
  
Calixthe BEYALA   
  
Angeline Solange BONONO   
  
Marie Claire DATI SABZE   
  
Lydie DOOH BUNYA   
  
Marie Félicité EBOKEA   
  
Stella V. I. ENGAMA   
 
Brigitte Ondoa ESSONO 
  
Nathalie ETOKE   
  
Marie-José EVEZO'O MVONDO   
  
Elizabeth EWOMBE-MOUNDO   
  
Mercédès  FOUDA   
  
Corinne HAPPY   
  
Marie-Angèle KINGUE   
  
Thérèse KUOH-MOUKOURY   
  
Marie-Claire MATIP   
  
Marie Charlotte MBARGA KOUMA   
  
Léonora MIANO 
 
Evelyne MPOUDI NGOLE   
  
Justine NANKAM   
  
Alix NDEFEU   
  
Jeanne NGO MAI   
  
Geneviève NGOSSO KOUO   
  
Marie Julie NGUETSE   
  
Régine NGUINI DANG   
  
Josette Evelyne NJOCK   
  
Rabiatou NJOYA   
  
 Jhoyce OTO   
  
Grâce-Emmanuelle PEH   
  
 Evelyne PELERIN NGO MAA   
 
Elizabeth TCHOUNGUI  
  
Brigitte TSOBGNY 
 
Atë-Maïs VILLEDIEU   
  
WEREWERE LIKING    
  
YONKO-NANA-TABITHA    
  
Julienne ZANGA   
  
Delphine ZANGA TSOGO   
   
Reference Books and Videos
To find out more on Cameroon
 
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Editor ([email protected])
The University of Western Australia/French
Created: 05 Jun 1996
Last updated: 10 Nov 2006
Archived: 25 Oct 2008
https://www.arts.uwa.edu.au/AFLIT/CountryCameroonEN.html